Goldman Sachs’ Response to Apple Card Sexism Claims →

November 15, 2019 · 13:04

Ben Lovejoy:

The bank originally issued a brief statement stating that each person’s credit line is evaluated uniquely, based on a range of factors that include income, credit score, debt, and how debt has been managed. Taking all of this into account, it says, different family members could be offered different limits.

When the controversy didn’t go away, Goldman issued a new statement stating that its evaluation system is not aware of the gender or marital status of the applicant, and offered to re-evaluate the credit limit of anyone who felt an error had been made.

I’d guess they have no clue how the algorithm works and are scrambling to find anyone that does.


Apple Card’s Sexist Algorithm →

November 10, 2019 · 10:30

DHH on Twitter:

It gets even worse. Even when she pays off her ridiculously low limit in full, the card won’t approve any spending until the next billing period. Women apparently aren’t good credit risks even when they pay off the fucking balance in advance and in full.

So obviously we both furiously signup for the fucking $25/month credit-check bullshit shakedown that is TransUnion. Maybe someone stole my wife’s identity? Even though we’ve verified there was nothing wrong previously. Guess what: HER CREDIT SCORE WAS HIGHER THAN MINE!!!

Carmine Granucci on Twitter:

Just read this thread. My wife has a way better score than me, almost 850, has a higher salary and was given a credit limit 1/3 of mine. We had joked that maybe Apple is just sexist. Seems like it’s not a joke. Beyond f’ed up.


The Design of Apple’s Credit Card →

April 9, 2019 · 13:30

Arun Venkatesan, on his blog:

I took a close look at the cardholder name and I noticed that it’s set in a new rounded version of the normal San Francisco font. For a few years, Apple has been using San Francisco Compact Rounded, a rounded version of the font used on the Apple Watch. This is the first time I have seen a rounded version of San Francisco though. The telltale sign is the lack of the flat sides that are most prominent in SF Compact’s lowercase a, e and o.

I haven’t yet compared SF Compact Rounded with SF Rounded myself, so I’ll trust Arun that they are indeed different, but I’m very curious how much further will the San Francisco family of fonts expand and how Apple will use them in the future.